I think, when discussing the origins of A Wanted Man, it is important to establish a timeline. I’m now 34, and I first put pen to paper on a crime story set in Manchester when I was 17. I was a cinema nut, a real action movie junkie, and I loved to write. My English teacher at the time told me that my prose was too description heavy, and my writing was suffering because of it. That got me thinking about screenplays, and the economical style in which screenplays are written – I felt that the best way for me to tell stories, given my problems with over-description, was to go down that avenue. So age 17 I wrote a screenplay called Murder In The Name, which was a crime caper set in Manchester, with a family at war within itself.
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Let me preface this little brain-squeeze by saying that I can’t recall reading any satire before, so the finer nuances of the genre may be a little lost on me. I came by The Breaking Of Liam Glass through my wonderful publicist Linda MacFadyen, and liked the sound of what the pre-publication soundbites were saying – hinting at a crime story that is both very topical and darkly funny.
Having now read the book, I can agree with that assessment in abundance, and must point out happily that such comments only scratch the surface here.
The book is as biting as it is harrowing, as funny as it is dark, as prescient and on point as it is a parable for the modern human condition. I really, really enjoyed it.
I realise it might sound a bit grandiose to say ‘a parable for the modern human condition‘ but I found it a very engaging autopsy of the public’s various relationships with the media, the law and government, not to mention the public’s obsession with celebrity, fame and all the trappings associated.
It was also one of the tensest books I’ve read in some time, something which I wasn’t expecting at all – but as the story of Liam Glass unfolds, and the race to get the story out there begins, I found myself swept up in that same urgency. I loved it.
I think my favourite aspect of the book, is that it never once treats the reader as an idiot. We are in on the joke, lamenting and laughing at the sheer ballsy hopelessness of it all. We are encouraged to make our own mind up and rarely is anything black and white – for example, despite the actions of some of the characters being utterly despicable at times, I found myself simultaneously genuinely sympathetic. And, as someone in myself who has his own views of the responsibility of the media, this is no mean feat!
In summary, The Breaking of Liam Glass by Charles Harris challenged me in all sorts of ways I didn’t expect, but throughout I was constantly engaged, educated and entertained. If you want to try something different, I’d completely recommend this – and even if you don’t, there’s so much to enjoy here, that I’d heartily recommend it anyway.
I grabbed The Dry by Jane Harper on a whim, having seen that beautiful jacket and read half a line of the synopsis. I think I’d clicked BUY NOW before I’d even realised I’d done so. I’m a huge sucker for atmospherics, mysteries, fascinating locations and dark backstories. So me and The Dry hit it off immediately.
What I didn’t know however, was that the book has been lauded internationally for some time – I actually only found out that it was very popular indeed when I was in my local Waterstones and there were stacks of them all over the place. And immediately on opening the book, I could see what the fuss was about.
It was enthralling from the very first line, demanding to be read further. It is an expert example of the sort of thriller I love. The town of Kiewarra is as much a character as any human in the book, and I’ve never read something that is so wide open, so barren, so vast and subject to the elements, yet feels so darn claustrophobic. It’s somehow a choking void, a massive suffocating vacuum. It is a marvellous feat, and this atmosphere infuses the tragic, serpentine tale of what really happened to the Hadler family with such wrought tension and urgency that it was genuinely hard not to read it in a single, equally urgent, sitting.
Hugely recommended, and delighted to hear there’s a follow-up incoming!
Can’t believe I’m in a list with such incredible crime fiction heavyweights! So happy to be there, and even happier that people are enjoying ‘A Wanted Man’!
The crime files are over-flowing right now with big-name blockbusters and outstanding indie authors. In fact there’s too many to fit into this round-up of ten intriguing titles, so come back in a fortnight for more gripping criminal activity. In the meanwhile we’ve a superb selection of police procedurals, serial killers, Nordic noir, vengeful vigilantes, ice-cool assassins, supernatural sleuths, mystery, murder… and the long-anticipated new novel from one of the acclaimed kings of crime fiction. Plenty here to read over the summer holidays!
WATCHING YOU by Arne Dahl
Arne Dahl – the pen-name of accomplished Swedish author Jan Arnald – already has one outstanding Scandi crime series to his credit in the shape of the Intercrime series which are painfully slowly being translated into English. But if that’s not enough (and it’s not… well, not for us) a new Nordic noir series starts this summer with Watching You.
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One of my formative memories in my fledgling writing career was at Bloody Scotland in September 2014, when, bumbling and in awe, I asked Danielle Ramsay to sign a paperback for me. I proceeded to go beetroot red as I pulled out more and more dog-eared books for her to sign, while she was a pillar of patience. She asked me what I did, and when I replied sheepishly that I had just got a literary agent, she was so bubbly and encouraging that long after the book festival was over, I would seek her out for advice and direction whenever I needed some.
Proving once again the now-ironclad adage that people in crime literature are just lovely, she was so effusive, thoughtful and helpful, and westill drop each other a line readily. She is one of the nicest people in the book world I’ve met, and one of the most important voices in my career so far. Her words meant the world to me at the time, and the books she signed for me are treasured. She was one of the first people I told when I signed my own book deal at the end of 2016.
And… she’s got a new book out! The Last Cut is the start of a brand new series (segueing from the brilliant Jack Brady series – check them out pronto too), and is her best and bravest book to date. I urge anyone who even has a passing interest in crime novels to check it out without delay. She tackles and analyses all manner of issues surrounding abuse and its effects, drawn remarkably from her own experiences – which makes the book for me even more of a triumph. It’s a breaking of chains, a catharsis, a confrontation – and Danielle explains it far better here than I could ever paraphrase:
The book follows DS Harri Jacobs, recently transferred from the Met police to Newcastle. She is still piecing her life together after a terrible assault a year ago, the after effects of which threaten to bubble to the surface – as bodies start to appear around Newcastle, and it becomes clear that a new dangerous killer is stalking the young women of the city and is subjecting them to abysmal horrors. Harri’s past and present intertwine in a constantly surprising plot that will have your skin crawling and your fingers peeling the pages.
My gratitude to and admiration of Danielle is a constant given – it just so happens that she writes great books too! The Last Cut comes hugely recommended, and you can grab it here: https://www.amazon.co.uk/dp/B01LZUGJTW/
‘A Wanted Man’, is FREE today!
‘A fantastic read with brilliant characters… A perfect ending… did not see that coming. 5 stars’
‘one of the best books out the hundred I’ve read this year so far’
‘A great read from start to finish – highly recommended’
To grab your copy, head on over to Amazon – thanks always for your support!